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Recesky DIY Stereo Pinhole Tutorial

Date posted: 19.04.2011
Categories of article: Articles, Recesky

The Recesky Stereo Pinhole Camera is another build-it-yourself camera kit by Recesky that uses regular 35mm film. While it is called a Stereo Pinhole Camera, it also functions as a normal pinhole camera that takes regular pictures, as well as a panoramic camera that takes pictures twice the width of a regular pictures.

In comparison, the Recesky Stereo Pinhole camera is slightly easier than the Recesky TLR, with a more simple shutter mechanism and viewfinder.

Again, while the packaging says assembly time is 1 hour – we suggest setting aside around 2 hours to comfortably finish building the camera.

Note: At the time of writing the manufacturer has not provided English instructions to building the camera. The package comes with a Chinese set of instructions, which has pretty clear graphics taking you step by step – but we have provided this guide as an accompaniment to the instruction manual in case you get stuck.

Before you start, remember these few important points as with the Recesky TLR:

  • Take your time! Remember once you break something, there is no going back. Patience is the key. The parts are well constructed and are very solid, but if you find you are using excessive force in any of the steps then you are most likely doing something incorrectly!
  • It is best to read ahead – or at least read what’s involved in the following steps as there are some sections that may appear out of order in the manual.
  • As the camera body and parts are made of plastic, avoid tightening the screws too much in the beginning – tighten the screws only when adjoining and affected parts are firmly in place.
  • Keep an eye out on the type of screw used in different sections – there are 2 types of screws used – one capped head screw used specifically for the Film Counter (Step 5 in the instructional manual), and the rest are rounded head screws (10 screws)
  • The Recesky kit does not come with a screwdriver, so you’ll need a small screwdriver to build the camera. If possible, use a screwdriver with a magnetic tip – it will save you a lot of frustration if you need to undo a screw and it gets stuck inside the camera.

Without further ado, here is a step by step commentary on the instruction manual.

1. Assembling the Camera Body

The part of this step is to build the Film Mask – it is a part which ingeniously allows you to switch between different shooting modes (stereo, regular, panoramic) at any time as you are going through a roll of film. Simply screw in the pieces as shown in the picture. The Film Mask Lever should be able to move freely between open and closed (90 degrees).

The second part involves putting the Gear Wheels in for the Film Winding/Rewinding mechanism.

After that, insert the whole Film Mask into the Front Camera Panel ‘A’, and screwed on as shown in the picture.

2. Putting together the Shutter Assembly

As with any camera, the Shutter Assembly is probably the most important parts in building the camera! The Shutter Assembling for the Recesky Stereo Pinhole is a simple ‘Bulb’ shutter with hold function – which means the shutter does not have a fixed speed like the Recesky TLR. The shutter mechanism works simply by pulling back the Shutter Panel, which springs back when you release the Shutter Trigger.

There are 4 pieces to the Shutter Assembly, Front Camera Panel ‘B’, Shutter Panel, Spring ‘A’, and the Shutter Trigger. We found the easiest way to putting these pieces together is somewhat the reverse of what was shown in the instruction manual – firstly insert Spring ‘A’ into the Shutter Panel, place the Shutter Panel onto the Front Camera Panel ‘B’, and bend Spring ‘A’ to slot it inside the edge of the panel. Note that as it is not fixed in any way, you should keep your finger pressed on the panels to avoid it springing out. With your finger pressed on the panels, carefully slip the Shutter Trigger into place so the knob can be seen from the front, inside the ‘L’ shaped hole.

Once all 4 pieces are in place (with your finger still pressing onto the panels so they don’t spring apart), slot the whole Shutter Assembly to the Camera Body which we were working on earlier, and put in the screws at each corner of the Shutter Assembly to fix it in place.

Note: This is probably one of the places you can carefully try and fix the screws in a bit tighter, to avoid light leaks (of course, you can have it loose when experimenting with light leak effects!)

Test the Shutter Mechanism by pulling the Shutter Trigger back and forth, to see if the pinhole penetrations allow light to pass through. Test the Hold Function by positioning the Shutter Trigger at the top of the ‘L’ shaped hole.

3. Installing the Film Mask Control Lever

This step involves putting the Film Mask Control Lever at the front of the camera so the film shooting mode can be changed at any time. This involves finding a piece of foam ‘washer’ that should be inserted before screwing the lever onto the Camera Body.

Note: There should be 2 pieces of these ‘foam washers’, which are sometimes hooked onto the Gear Wheels, or inserted in the pieces of ‘pressure clips’ for the Film Rewind Assembly. Please carefully look through all the pieces inside the kit for these!

Once the Film Mask Control Lever is fixed in place, test the film mask mechanism to see if the lever flips the Film Mask Lever to its open or close position (90 degrees).

4. Assembling the Film Rewind Assembly

Firstly, insert the two ‘pressure clips’ into slots at the top of the Camera Body. These allow the Film Winder clip and Film Rewind clip to be snapped into place.

Secondly, place the Film Winder Spool on to Film Winder Stand and insert them into the Camera Body. You might need to press the Film Winder Stand in a bit to be able to slot it into the body.

Thirdly, screw in the Film Winder Knob and Film Rewind Knobs – note the direction of the arrows are as shown on the instruction manual!

5. Install the Film Counter

The Film Counter Assembly requires 4 pieces – the capped screw (only one in the kit), the Film Counter piece, a piece of the foam washers, and Spring ‘B’. Screw them in this order (from top to bottom) while holding the white gear head in the body – for this part do NOT use excessive force! The Film Counter does not need to be tightly fixed – it only needs to be fixed so it rotates as the gear turns, so we know how much we have advanced the film as we are shooting.

6. Insert the Tripod Nut

This is done simply by inserting the Tripod Nut and the plastic piece into the slot at the bottom of the Camera Body to fix it in place!

7. Install the Viewfinder and Back Panel

We’re nearly there! This part is pretty straight forward – simply clip the front and rear Viewfinders on to the Viewfinder Stand, and insert it onto the slot on the top of the camera body. Note the order to fold them back when not in use – first the rear viewfinder, then the front viewfinder.

For the Camera Back Panel, simply slot the side clips onto the side. Note that the left side clip and right side clips are different! The Back Panel can then be easily clipped onto the Camera Body.

8. Installing the Pinholes

The final step is to install the pinholes – there should be three Pinhole pieces for the three ‘penetrations’ on the Front Camera Panel, and three ‘clips’ that fix the Pinhole pieces into place. They are fixed by firmly pressing onto the Pinhole pieces. Note the grooved side of the Pinhole pieces should face up!

The reason why there are three pinholes is because of the three shooting modes:

  • Stereo mode: Uses the two pinholes on the side
  • Regular mode: Uses one pinhole on the side
  • Panoramic mode: Uses the centre pinhole

The three remaining rubber pieces are the ‘Lens Caps’ for each of the pinholes. Be careful not to misplace them! This is because you need them to cover up the pinholes that are not in use in different shooting modes.

And that is it! Congratulations! You have just completed the Recesky DIY Stereo Pinhole Camera. Now you should load a roll of 35mm film into it, and start shooting!

We hope you find this tutorial useful. If you require any more clarification or would like to share any tips or tricks in building camera, please write us a comment, or drop us a line at contact@lofico.com.au!

If you liked this guide, don’t forget to share it with us and your friends.

Film FAQ – Q&A to Film

Date posted: 15.04.2011
Categories of article: Articles, Film

35mm versus 120mm – what’s the difference?
The digits in 35mm film (otherwise also known as 135) or 120mm film refers to the actual width of the film, e.g. 35mm film is 35 millimeters wide, whereas 120mm film is 120 millimeters wide. 35mm being the smaller width, is physically smaller in proportions to 120mm when compared side by side.

120 film
Historically, 120 film usage was very prominent in the earlier days of film existence (think early 1900′s). It was initially designed and intended for amateur photography. 120 film is also known as a medium format film and it survives as one of the only remaining medium format film types still in production today. Another medium format film that is very similar to 120 is the 220 film. The only difference between 220 and 120 is that 220 is twice as long as 120 – allowing double the amount of pictures to be taken.

The film itself is wrapped around a spool, backed by paper. The film is advanced in the camera by wrapping the start of the 120 roll around another take up spool in the camera. As the pictures are taken in the roll and advanced, the film is progressively transferred to the other spool, until the whole roll ends up on the other spool. By the time all the frames are finished, the spool of the new roll is then used to replace the old spool’s position, while the old spool now with the film wrapped around it is taken to the photo labs for development.

120 film is quite versatile in that it allows three different formats. While the width of the frame is fixed at 6 centimeters, the length can be adjusted to 4.5, 6, or 7 centimeters to allow for 6×4.5, 6×6 or 6x7cm prints respectively.

On a roll of 120 film, 16 pictures can be taken using 6×4.5cm frames, 12 frames using 6x6cm frames, and finally 10 pictures using 6x7cm frames. Of all three formats the 6x6cm format is probably the most popular choice as the format represents a perfect square, which makes it a versatile option in composing shots. It also moves away from the standard 24X36mm rectangular frame that 35mm film offers, making it visually unique.

Medium format cameras like the Holga 120 series or Lomography Diana both take 120 film by default (however the Holga can be modified to take 220 too). Most of the Holga 120′s that we stock, such as the Holga 120 N come with film masks which allow photos to be shot in the 6×4.5cm and 6x6cm frames, therefore with these frames 12 or 16 pictures can be taken from a roll of 120.


35mm film
The term 135 was introduced by Kodak in 1934 as a designation for cartridge film 35 mm (1.4 in) wide, specifically for still photography. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film format.



So.. 120 mm or 35 mm?
While 35mm is the both the most popular format, and cheaper to print and develop, 120 still stands out in that it is quite a unique format to experiment with. The image quality of 120 film is also substantially better as the physical piece of film is much larger it allows bigger prints to be made (think 20×24″!).

Most Holga users start off with the Holga 120 as it is considered to be the classic Holga (initially designed for 120 film in the 1980′s) and later move on to experiment with the other one’s available like the Holga 135.

If you still can not decide, then keep in mind that you have the choice to use a 35mm adapter, as well as modifying the camera yourself to allow for 35mm usage on a Holga 120 camera!

where to buy/develop film in Australia

Date posted: 15.04.2011
Categories of article: Film

Looking to buy film? Check out our online shop first if you haven’t already.
Don’t see your favorite film shop on this list? Go to this page and tell us where you usually go to develop or buy film and we’ll add it to this list.

We’re compiling a list of places close to you where you can take your 120 or 135 film to develop or process!

Want to know where to bring that medium format film from your Holga camera or Lomography Diana camera? Or looking for a place that develops slide film that’s close to your location? Some of these places also will have film in stock so if you are looking to buy film locally you can also give these places a go! If you are looking to develop film at home then check around and you will find some places also stock darkroom equipment like B&W developers, chemicals and other equipment needed for darkroom like paper, enlargers and scanners.

Update – Mail order processing: If you can not find a film lab close to you (e.g. in rural areas) then we have been informed that Peninsula Camera Centre supports mail order processing.

The following is a brief but in no way complete list of labs that still support processing in Australia. If you see something that is missing from this list, let us know – contact us!

Please note this list is purely for informative purposes only!

List last updated: 11/09/2012


Jump to a section:


NSW

Sydney CBD area

Sydney Central Fast Foto
Location: Sydney CBD – Level 1, 477 Pitt St, Haymarket, NSW, 2000
Telephone: (02) 9281 9039
Additional details: Black & White 35mm 120, Colour Film/C41 Slide/E6 Film.

Fotolab
Website: http://www.fotolab.com.au/
Location: Sydney CBD – 303 Pitt St. Sydney 2000
Additional details: Black & White 35mm 120mm 220mm, Colour Film/C41 35mm 110mm 126mm 120mm 220mm, Slide/E6 Film. All Holga and lomo cameras.

Fotoriesel
Website: http://www.fotoriesel.com.au/
Telephone: 02 9299 6745
Location: Sydney CBD – 364 Kent St Sydney
Additional details: Open 7 days a week

Paxtons
Website: www.paxtons.com.au
Telephone: 02 9299 2999
Location: Sydney – 285 George Street (Next to Wynyard Station)
Additional details: 35mm & 120mm Film Processing, Film & Slide Scanning, Film & Slide Printing, Digital Image Printing, Analogue (movie, film, slide) to DVD transfers, Canvas Printing.

Royal Express
Website: http://www.royalexpress.com.au/
Location: Sydney – 22a Level 6 MLC Centre 19-29 Martin Place Sydney NSW 2000
Additional details: Film develop, print, scan, bulk film scan, enlargement, photo restoration

Photolux
Website: http://www.photolux.com.au/
Location: Haymarket – Shop R1.08B, Market City Shopping Centre, 9-13 Hay St, Haymarket 2000
Additional details: Negatives, Slides, Cross Processing, Colour, Black and White, 110, 120, 126, 135 etc

Photoland
Website: http://www.photoland.com.au//
Location: 102 King St, Sydney. 2000 (Cr King St and Pitt St, opposite the Pitt St mall)
Additional details: Check website for more details

Oscans
Website: http://www.oscans.com/
Location: Sydney CBD
Telephone: 1300 138 970
Additional details: Professional bulk scanning of film (110, 120, 135, etc) of all film types (negative, slide, kodakchrome, etc) & digital retouching. Contact for more info.

Outside Sydney CBD

Vision Image Labs
Website: http://www.visionimagelab.com.au/
Telephone: 9319 3300
Location: Redfern – 45 George Street, Redfern

Just Photos
Website: http://www.justphotos.com.au/
Location: Mortdale – Unit 2 / 13 Morts Road Mortdale 2223
Telephone: (02) 9570 3336
E-Mail: sales@justphotos.com.au

Photo Garden
Location: Newtown – 307 King Street, Newtown, NSW, 2042
Additional details: 35 and 120 negative and slide processing, printing, black and white, etc.

Vanbar
Website: http://www.vanbar.com.au/
Location: Camperdown – 1 Gordon Street, Camperdown NSW 2050
Additional details: All development processes plus more – sells chemicals, paper, darkroom equipment and more.

Vision Graphics
Website: http://www.visiongraphics.com.au/
Location: St Leonards – 2B Northcote Street, St Leonards, NSW 2065

Paxtons
Website: http://www.paxtons.com.au/
Location: Parramatta – Shop 3081 Westfield, 157-175 Church St, Parramatta NSW
Additional details: 35 and 120 negative B&W and slide processing, printing, scanning, fast processing time

True Living Colour
Website: http://www.truelivingcolour.com.au
Location: West Gosfrod – Shop 34 West Gosford Shopping Centre, Brisbane Water Drive, West Gosford 2250
Phone: (02) 4323 2338
Additional Details: Process all types of film, 135 and 120, C41, E6 and Black and White.

Pro-Am Colour Laboritories
Website: http://www.proamdigital.com.au/
Location: Adamstown – Adamstown Plaza, 289 Brunker Road, Adamstown NSW 2289
Contact: (02) 4965 5879

RG Photography
Website: http://www.rgphotography.com.au/
Location: Engadine – 58 Station St, Engadine, NSW, 2233.
Contact: (02) 9520 7412

Fujitech one hour Lab
Location: Five Dock – 105 Great North Road Five Dock, 2046
Contact: (02) 9713 4551
Additional details: 35mm, 120, b&w and slide film and all types of printing and scanning. (develops 35mm film for $5)

ABC Photo Plus
Location: Eastwood – 5 Progress Ave, Eastwood NSW 2122
Additional details: 35, C41, cross process, scan to CD, done in 25 minutes, B&W

Kodak Express at Westfield Penrith
Location: Penrith – Westfield Penriths
Additional details: 35 and 120 negative processing, printing (with proofs on request), scanning

The Photo Factory
Website: http://www.thephotofactory.com.au/
Location: Kings Langley – Shop 25 Kings Langley Shopping Centre, James Cook Drive, Kings Langley
Additional details: 35 and 120 negative processing, printing (with proofs on request), scanning

Photo Magic
Website: http://www.photomagic.com.au/
Location: Byron Bay – Shop 4 The Plaza, 108 Jonson St, Byron Bay, NSW, 2481
Telephone: (02) 66855877 or 0414669104
Additional details: 135 development (c-41) & scanning and printing. Can help develop 120 (outsource).

camerahouse
Location: High Street, Bowral, NSW, 2576
Telephone: (02) 66855877 or 0414669104
Additional details: Develops 35mm film in 1-2 hours

Bay Park Photos
Website: http://bayparkphotos.com.au/
Location: Shop 14 Shores Retail Centre, Bay St, Port Macquarie NSW 2444
Telephone: (02) 6584 3788
Additional details: Film lab and stocks films and associated materials

Salamander Photo Centre
Website: http://salamanderphoto.com.au/
Location: Shop 1 / 5 Town Centre Circuit, Salamander Bay 2317 NSW
Telephone: (02) 4982 0080
Additional details: Still has some film related services

Speedilab
Website: http://www.speedilab.com.au/
Location: Newtown – 278 King Street, Newtown
Additional details: 35 and 120 negative and slide processing, slide mounting, printing, scanning, cross processing, black & white, framing, etc.



Victoria

Melbourne CBD area

Michaels Camera Video & Digital
Website: http://www.michaels.com.au/
Location: Melbourne – 265/269 Elizabeth Street Melbourne VIC 3000
Additional details: Currently upgrading lab to include dip and dunk processing of B&W, E6 and colour. Lab is run 7 days a week and depending on workload can process film in 24 hours.

Camera House
Website: http://www.camerahouse.com.au/
Location: Melbourne – 217 Elizabeth St, VIC 3000
Additional details: 120, 135, enlargements, printing, scanning, negative film, etc…

Colour Factory
Website: http://www.colourfactory.com.au
Location: 409 – 429 Gore Street, Fitzroy, Victoria 3056
Telephone: (03) 9419 8756
Additional details: C-41 and more, contact for more details.

Outside Melbourne CBD

Vanbar
Website: http://www.vanbar.com.au/
Location: 450 Gore Street Fitzroy 3065
Additional details: All development processes plus more – sells chemicals, paper, darkroom equipment and more.

Prism Digital Imaging Bureau
Website: http://www.prismcolor.com.au/
Location: North Melbourne – 504 Abbotsford Street, North Melbourne, VIC 3051
Additional details: cross processing, 135mm and 120 film, negative process, custom prints, direct digital output, canvas, scanning, artwork manipulation, cd/dvd burning, enlargements, art reproduction, laminate, canvas stretching.

Light Leaks
Website: http://www.lightleaksphoto.com/
Location: St Kilda – 9 Chapel Street, St Kilda, VIC 3182
Additional details: Develops film of all kinds. Sells vintage cameras, Lomography and Polaroids.

PhotoQ
Website: http://www.photoq.com.au/
Location: Kew – 143-145 High Street Kew 3101

Red Flair
Website: http://www.redflair.com.au/
Location: Melbourne – 278 Whitehorse Road Balwyn Vic 3103
Additional details: Processing for 35mm, 120mm and APS films, B&W and Color, Digital printing, large format printing, image recovery, camera repairs, lessons, wedding photography and more

Southgate Pharmacy
Location: Southbank – p14/3 Southgate Avenue, Southbank VIC 3006
Phone: (03) 9699 7000
Additional details: Only very standard processing (35mm film)

Photo Barn
Website: http://www.photobarn.com.au/
Location: Two stores: 172 Burwood Highway, Burwood East VIC 3151 and 148 Main Street, Pakenham VIC 3810
Additional details: Color and B&W processing (35mm, APS and 120), Film scanning, Print from print, Wide format printing, online photo prints.

Peninsula Camera Centre
Website: http://www.peninsulacamera.com.au/
Location: 32-34 Ross Smith Avenue (east), Frankston Victoria 3199
Additional details: In store processing for 35mm, APS, and 120 medium format negative and Black and White film. Also supports mail film processing for 35mm, APS, 120, color and B&W film development. Starting from $6 a roll for develop only. Contact them for more information.

Castlemaine Cameras
Location: 30-32 Lyttleton St, Castlemaine VIC 3450, Australia
Phone: (03) 5472 2857
Additional details: Standard film processing and can also do cross processing.
HC Pro
Website: http://www.hcpro.com.au/
Location: 45 Wilson St, Horsham VIC 3400, Australia
Phone: (03) 5381 5800
Additional details: Full service Pro Lab. Dip and Dunk C41 process, all formats. They also offer high res scanning, plus a huge range of printing, mounting, framing and finishing options including press products like photo books etc.

Borg’s Digital Photo Express
Location: Monee Ponds – 95 Puckle Street, Moonee Ponds VIC 3039
Phone: (03) 9370 4669
Additional details: 110, 120, 135, APS negative film, slide film, printing, scanning

Croydon Camera House
Website: http://www.croydoncamerahouse.com.au/
Location: 125 Main Street, Croydon Victoria 3136
Phone: (03) 9725 3816
Additional details: Sell black & white, colour positive & negative films in 35mm and 120. Also develops, prints and scans colour and black & white films, 35mm, 110 and 120, or cross-process slide film.



Queensland

Brisbane

Fotofast
Website: http://www.fotofast.com.au/
Location: Brisbane – Level E, The Myer Centre, 91 Queen St, Brisbane, Qld.
Additional details: 120, 135 and many other services

Photo Continental
Website: http://www.photocontinental.com.au/
Location: Mount Gravatt – 1480 Logan Road Mount Gravatt QLD 4122
Additional details: 35mm film, true Black & White, APS, Medium Format, E-6, C-41, 110 & 126 and Ektachrome Super 8

Allchromes Professional Colour Laboratory & Studio Hire
Website: http://www.allchromes.com.au/
Location: Bowen Hills – 20 Edmondstone Rd, Bowen Hills QLD 4006
Additional details: Film Processing (E6, C41, BW), Film Scanning, Film Printing, Digital Image Printing, Wide Format Printing (Larger than 10×15″), Canvas Printing & Stretching, Studio Hire

Kayell
Website: http://www.klq.com.au/
Location: Yeerongpilly – Unit 6 – 22 Varley Street, Yeerongpilly Qld 4105
Additional details: processing; scanning, enlargements, prints



South Australia

Adelaide

Black and White Photographics
Website: http://www.blackandwhitephoto.com.au/
Location: Adelaide – 31 George St, Stepney, SA 5069
Additional details: 120, 135, slide processing, black & white, printing, scanning

Hutt St Photos (Kodak Express)
Website: http://www.huttstreetphotos.com.au/
Location: Adelaide – 186 Hutt St Adelaide
Additional details: Colour print, colour slide, or black & white for 35mm film, APS film, 110, 126 and disk films, and 120 film. Develop, print and scan. Also sell Holgas and film, including 120.

Photoco Camera House
Website: http://www.photococamerahouse.com.au/
Location: Adelaide – 5 Western Roadway, Central Market, Adelaide SA
Phone: (08) 8231 5632
Additional details: 35mm, 120, slides, plus lots more. Also sell Holgas, film, and a wide range of second hand cameras and equipment.

Atkins
Website: http://www.atkins.com.au/
Location: Kent Town – 89 Fullarton Road Kent Town, SA Australia 5067
Additional details: Full Professional Lab; Dip and dunk C41,E6 & B&W processing. Scanning, all film formats, Enlargements, Laminating.



Western Australia

Perth

Fitzgerald Photo Imaging
Website: http://www.fitzgeraldphoto.com.au
Location: Perth – 350 Fitzgerald Street, Perth, WA
Additional details: 120mm, 35mm, All “retro” and “lomo” cameras

Friendlies Chemist Subiaco
Website: http://www.friendlieschemistsubiaco.com.au
Location: 136 Rokeby Rd , Subiaco, Western Australia, 6008
Phone: (08) 9381 1468
Additional details: 135 mm Fujifilm wet lab on site



Tasmania

Stallards Camera House
Website: http://www.stallards.com.au
Location: Launceston – 96 Brisbane Street, Launceston, 7250
Additional details: 120, 135, negative film scanning, cross processing, printing, enlargements, scanning

Perfect Prints
Website: http://perfectprints.com.au/
Phone: (03) 62242220
Location: 100 Collins Street, Hobart 7000 Tasmania
Additional details: Enquire online or call for more details

Big W
Location: Eastlands, Rosny Park 7018
Phone: (03) 6281 4800
Additional details: Basic film development

The Kodak Shop
Location: Launceston – 93 Brisbane St, Launceston 7250
Additional details: 120, 135, negative film scanning, printing, enlargements, scanning

Invermay Black and White Photographics
Location: Invermay – 213 Invermay Road Invermay TAS 7248
Additional details: black/white processing, negatives, printing, enlargements, scanning, framing, restorations




This list is work in progress! Do you have places to suggest? If so contact us!

Recesky FAQ

Date posted: 08.02.2011
Categories of article: Articles, Recesky

How to load film into the Recesky (and Gakkenflex)

Step 1: Pull out the bottom knob slightly, so that it gives some space … continue reading…

Recesky FAQ

Gakkenflex vs Recesky vs Blackbird Fly TLR

Date posted: 03.01.2011
Categories of article: Articles, Recesky
Gakkenflex versus Recesky

The Gakkenflex camera originated from a Japanese camera magazine (Titled: Otona no Kagaku). It came with a particular edition (Volume 25) of the magazine – it greatly grew in popularity as it was relatively cheap in comparison to other Twin Lens Reflex (TLR) cameras such as the Blackbird Fly TLR.

The Gakkenflex offered the following particular specifications:
- Aperture: f/11
- Shutter speec: 1 / 125 second
- Multiple Exposures
- Focus adjustment range: … continue reading…

Gakkenflex vs Recesky vs Blackbird Fly TLR

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